It’s funny how stories have come back to haunt me lately. The poet this feature story is about, Natasha Trethewey, just came to talk at Creighton University. I assigned the story two weeks ago to one of my news reporters. And here Trethewey is again. No offense to my wonderful news reporter who has much less time than Bentley to write stories, but Bentley’s take on it is much more interesting. It’s really well done, to be honest.
In my opinion, there are three aspects about this story that make it successful. First, the story is organized. It is chronically arranged, which makes it easier for the reader to follow. It is also split into different sections by a quote by Trethewey or a phrase by Bentley. I’m not sure if this is just how they chose to display it online, however. I didn’t see a number 1. It started with number 2, which I thought was confusing. Secondly, Bentley does a good job of telling of Trethewey’s personal story as well as her professional story and then bringing the two parts of her life together in the end with the story of Trethewey’s dad talking about her work. Lastly, the fact that Bentley showed little sections of Trethewey’s poetry was fantastic. She described Trethewey without using any of her own words. She allowed the poetry to show the audience who Trethewey is.
There is only one thing I would do differently if I were Bentley. I would delete the “2012” marker in the beginning. 2012 is also included near the end of the story. However, towards the beginning, the marker confused me as a reader. I didn’t realize the material following the marker would be a continuation of the lead. To me, the presence of the markers tells me as a reader to expect new or different material.
I think we all can try to incorporate some of the things Bentley did well into our own profile stories. First, the realization that you can split your stories into sections as long as you’re only telling one story per section is important. Therefore, as we are researching and interviewing our subjects, we must look for sections within their stories or ways to split up their stories into sections. Lastly, if they have documents, journals, writings, or other evidence of whatever the profile piece may be about, we need to ask if we can use them. Having real-life proof that the subject is exactly the way you described him can help your story a lot.